Well the Epic US labels were yellow. But I cannot recall seeing them (the original Yardbirds LPs) in the later Epic labels (orange w/ concentric lines starting about 1972, then navy blue/silver lettering starting about 1979 or '80 I think).

All I can recall in the 1970's were various titled comps - and most of these used the dreaded fake stereo versions throughout. Even by the early 70's the yellow Epic original titles (here) were collectible.I have a mono original 'Rave-Up.' Side two - culled from 'Five Live.' Was available as a UK import, so I suspect the import would sound a bit better. The studio cuts on side one sound very good IMO. These need to be heard in the mono.

The UK 'stereo' is an export copy. Rare, but unecessary. Best movie clips for presentations. The US Epic mono LP sounds fantastic and has two cuts that were, at the time (1965) not released in the UK. These are the studio 'I'm a Man' and 'The Train Kept a Rollin.' The remainder of side 1 are UK singles tracks. Side 2 is four songs from the UK Five Live LP.The CDN.

50+ videos Play all Mix - The Yardbirds - Having a Rave Up 1965 (Full Album 1999 +11 bonus) YouTube Yardbirds - For Your Love (Full Album) - Duration: 31:10. HairyChewbaccaViking 258,043 views. New York City Blues Lyrics: (Keith Relf / Chris Dreja) / If you've ever been to New York City / You know what I'm talking about / Yes you do / Well, if you've ever been to New York City / You know.

Yardbirds discography

HARU LP features the same track listing as the US, but a different (and better) cover, IMO. Extremely rare, and coveted, as it is on the Capitol 6000 label. The US sounds better, IIRC, thought my US HARU has a white 'DEMO RECORD NOT FOR SALE' sticker on the label, so I guess I have an early copy (1A/1D matrixes).

I haven't played this since I bought it. Click to expand.Here they are (the handful of true stereos from Roger The Engineer), for those who are interested:The Nazz Are BlueI Can't Make Your WayRack My MindFarewellWhat Do You WantEver Since The World BeganThe Nazz Are Blue and Rack My Mind didn't make it onto the US Over Under Sideways Down lp.I like these both in mono and stereo as well. I was pretty surprised at how good the US Epic mono of this album sounds-sixties Epics are pretty hit and miss in my experience.Side 1 of Having a Rave Up with The Yardbirds is one of the all time great sides IMO. I never get tired of it. Also, the sound/recording quality of this batch of tracks is significantly better than those that came out on their previous US lp-the For Your Love lp-the sound quality kind of stinks as far as I'm concerned-which is sad. It's great material.Having a Rave Up was reissued in the early eighties in mono as part of a big Charly Yardbirds box set, which I used to have somewhere, but I'd be willing to bet an original US Epic mono will beat the Charly by a fair degree.A good, fairly economical way to get Roger the Engineer is via a late 70s UK Columbia EMI stereo reissue.

I paid about $25 for one a few months ago. It's on a two-box black and silver Columbia label (similar to the Beatles Parlophone two box labels of the same time).

IIRC the fake stereos will fold down to mono nicely too.But back to Having A Rave Up, I kind of doubt a UK export copy will have much over an original US Epic. Yes, the vinyl will be nicer on the UK lp, but as an UK export copy won't it be sourced from the same tape as the US lp?Dale.

The Yardbirds, 1960s British musical group best known for their inventive conversion of into. The original members were singer Keith Relf (b. March 22, 1943, Richmond, Surrey, England—d. May 14, 1976, London), guitarist (original name Eric Patrick Clapp; b.

March 30, 1945, Ripley, Surrey), bassist Chris Dreja (b. November 11, 1946, London), drummer Jim McCarty (b. July 25, 1943, Liverpool, Merseyside), bassist Paul Samwell-Smith (b.

May 8, 1943, London), and guitarist Anthony (“Top”) Topham (b., England). Later members were (b. June 24, 1944, Wallington, Surrey) and Jimmy Page (b. January 9, 1944, Heston, Middlesex).

The Yardbirds on the television program Ready Steady Go! Michael Ochs Archives/Getty ImagesThe Yardbirds, who produced three of most influential rock guitarists, followed in the footsteps of the on the in 1963–64, their early consisting almost exclusively of cover versions of songs by artists who recorded for the and record labels. With as lead guitarist, the created the “rave-up,” accelerating their playing until it transformed into. Employing distortion and reverb (a succession of echoes that blend into one another to create sonic space), Clapton’s successor, pushed later hits like “Shapes of Things” (1966) into the realm of., later the leader of one of the most successful heavy metal–hard rock groups of the 1970s, initially joined the Yardbirds as a replacement for bassist Samwell-Smith.

Yardbirds Having A Rave Up Back

Switching to, Page joined Beck as the band’s colead guitarist—though the two played together on only one single, the visionary “Happenings Ten Years Time Ago” (1966), before the band’s short-lived final lineup dissolved in 1968. The Yardbirds were inducted into the in 1992.

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  • Well the Epic US labels were yellow. But I cannot recall seeing them (the original Yardbirds LPs) in the later Epic labels (orange w/ concentric lines starting about 1972, then navy blue/silver lettering starting about 1979 or \'80 I think).

    All I can recall in the 1970\'s were various titled comps - and most of these used the dreaded fake stereo versions throughout. Even by the early 70\'s the yellow Epic original titles (here) were collectible.I have a mono original \'Rave-Up.\' Side two - culled from \'Five Live.\' Was available as a UK import, so I suspect the import would sound a bit better. The studio cuts on side one sound very good IMO. These need to be heard in the mono.

    The UK \'stereo\' is an export copy. Rare, but unecessary. Best movie clips for presentations. The US Epic mono LP sounds fantastic and has two cuts that were, at the time (1965) not released in the UK. These are the studio \'I'm a Man\' and \'The Train Kept a Rollin.\' The remainder of side 1 are UK singles tracks. Side 2 is four songs from the UK Five Live LP.The CDN.

    50+ videos Play all Mix - The Yardbirds - Having a Rave Up 1965 (Full Album 1999 +11 bonus) YouTube Yardbirds - For Your Love (Full Album) - Duration: 31:10. HairyChewbaccaViking 258,043 views. New York City Blues Lyrics: (Keith Relf / Chris Dreja) / If you\'ve ever been to New York City / You know what I\'m talking about / Yes you do / Well, if you\'ve ever been to New York City / You know.

    \'Yardbirds

    HARU LP features the same track listing as the US, but a different (and better) cover, IMO. Extremely rare, and coveted, as it is on the Capitol 6000 label. The US sounds better, IIRC, thought my US HARU has a white \'DEMO RECORD NOT FOR SALE\' sticker on the label, so I guess I have an early copy (1A/1D matrixes).

    I haven\'t played this since I bought it. Click to expand.Here they are (the handful of true stereos from Roger The Engineer), for those who are interested:The Nazz Are BlueI Can\'t Make Your WayRack My MindFarewellWhat Do You WantEver Since The World BeganThe Nazz Are Blue and Rack My Mind didn\'t make it onto the US Over Under Sideways Down lp.I like these both in mono and stereo as well. I was pretty surprised at how good the US Epic mono of this album sounds-sixties Epics are pretty hit and miss in my experience.Side 1 of Having a Rave Up with The Yardbirds is one of the all time great sides IMO. I never get tired of it. Also, the sound/recording quality of this batch of tracks is significantly better than those that came out on their previous US lp-the For Your Love lp-the sound quality kind of stinks as far as I\'m concerned-which is sad. It\'s great material.Having a Rave Up was reissued in the early eighties in mono as part of a big Charly Yardbirds box set, which I used to have somewhere, but I\'d be willing to bet an original US Epic mono will beat the Charly by a fair degree.A good, fairly economical way to get Roger the Engineer is via a late 70s UK Columbia EMI stereo reissue.

    I paid about $25 for one a few months ago. It\'s on a two-box black and silver Columbia label (similar to the Beatles Parlophone two box labels of the same time).

    IIRC the fake stereos will fold down to mono nicely too.But back to Having A Rave Up, I kind of doubt a UK export copy will have much over an original US Epic. Yes, the vinyl will be nicer on the UK lp, but as an UK export copy won\'t it be sourced from the same tape as the US lp?Dale.

    The Yardbirds, 1960s British musical group best known for their inventive conversion of into. The original members were singer Keith Relf (b. March 22, 1943, Richmond, Surrey, England—d. May 14, 1976, London), guitarist (original name Eric Patrick Clapp; b.

    March 30, 1945, Ripley, Surrey), bassist Chris Dreja (b. November 11, 1946, London), drummer Jim McCarty (b. July 25, 1943, Liverpool, Merseyside), bassist Paul Samwell-Smith (b.

    May 8, 1943, London), and guitarist Anthony (“Top”) Topham (b., England). Later members were (b. June 24, 1944, Wallington, Surrey) and Jimmy Page (b. January 9, 1944, Heston, Middlesex).

    The Yardbirds on the television program Ready Steady Go! Michael Ochs Archives/Getty ImagesThe Yardbirds, who produced three of most influential rock guitarists, followed in the footsteps of the on the in 1963–64, their early consisting almost exclusively of cover versions of songs by artists who recorded for the and record labels. With as lead guitarist, the created the “rave-up,” accelerating their playing until it transformed into. Employing distortion and reverb (a succession of echoes that blend into one another to create sonic space), Clapton’s successor, pushed later hits like “Shapes of Things” (1966) into the realm of., later the leader of one of the most successful heavy metal–hard rock groups of the 1970s, initially joined the Yardbirds as a replacement for bassist Samwell-Smith.

    \'Yardbirds

    Switching to, Page joined Beck as the band’s colead guitarist—though the two played together on only one single, the visionary “Happenings Ten Years Time Ago” (1966), before the band’s short-lived final lineup dissolved in 1968. The Yardbirds were inducted into the in 1992.

    ...'>Yardbirds Having A Rave Up Back(27.03.2020)
  • Well the Epic US labels were yellow. But I cannot recall seeing them (the original Yardbirds LPs) in the later Epic labels (orange w/ concentric lines starting about 1972, then navy blue/silver lettering starting about 1979 or \'80 I think).

    All I can recall in the 1970\'s were various titled comps - and most of these used the dreaded fake stereo versions throughout. Even by the early 70\'s the yellow Epic original titles (here) were collectible.I have a mono original \'Rave-Up.\' Side two - culled from \'Five Live.\' Was available as a UK import, so I suspect the import would sound a bit better. The studio cuts on side one sound very good IMO. These need to be heard in the mono.

    The UK \'stereo\' is an export copy. Rare, but unecessary. Best movie clips for presentations. The US Epic mono LP sounds fantastic and has two cuts that were, at the time (1965) not released in the UK. These are the studio \'I'm a Man\' and \'The Train Kept a Rollin.\' The remainder of side 1 are UK singles tracks. Side 2 is four songs from the UK Five Live LP.The CDN.

    50+ videos Play all Mix - The Yardbirds - Having a Rave Up 1965 (Full Album 1999 +11 bonus) YouTube Yardbirds - For Your Love (Full Album) - Duration: 31:10. HairyChewbaccaViking 258,043 views. New York City Blues Lyrics: (Keith Relf / Chris Dreja) / If you\'ve ever been to New York City / You know what I\'m talking about / Yes you do / Well, if you\'ve ever been to New York City / You know.

    \'Yardbirds

    HARU LP features the same track listing as the US, but a different (and better) cover, IMO. Extremely rare, and coveted, as it is on the Capitol 6000 label. The US sounds better, IIRC, thought my US HARU has a white \'DEMO RECORD NOT FOR SALE\' sticker on the label, so I guess I have an early copy (1A/1D matrixes).

    I haven\'t played this since I bought it. Click to expand.Here they are (the handful of true stereos from Roger The Engineer), for those who are interested:The Nazz Are BlueI Can\'t Make Your WayRack My MindFarewellWhat Do You WantEver Since The World BeganThe Nazz Are Blue and Rack My Mind didn\'t make it onto the US Over Under Sideways Down lp.I like these both in mono and stereo as well. I was pretty surprised at how good the US Epic mono of this album sounds-sixties Epics are pretty hit and miss in my experience.Side 1 of Having a Rave Up with The Yardbirds is one of the all time great sides IMO. I never get tired of it. Also, the sound/recording quality of this batch of tracks is significantly better than those that came out on their previous US lp-the For Your Love lp-the sound quality kind of stinks as far as I\'m concerned-which is sad. It\'s great material.Having a Rave Up was reissued in the early eighties in mono as part of a big Charly Yardbirds box set, which I used to have somewhere, but I\'d be willing to bet an original US Epic mono will beat the Charly by a fair degree.A good, fairly economical way to get Roger the Engineer is via a late 70s UK Columbia EMI stereo reissue.

    I paid about $25 for one a few months ago. It\'s on a two-box black and silver Columbia label (similar to the Beatles Parlophone two box labels of the same time).

    IIRC the fake stereos will fold down to mono nicely too.But back to Having A Rave Up, I kind of doubt a UK export copy will have much over an original US Epic. Yes, the vinyl will be nicer on the UK lp, but as an UK export copy won\'t it be sourced from the same tape as the US lp?Dale.

    The Yardbirds, 1960s British musical group best known for their inventive conversion of into. The original members were singer Keith Relf (b. March 22, 1943, Richmond, Surrey, England—d. May 14, 1976, London), guitarist (original name Eric Patrick Clapp; b.

    March 30, 1945, Ripley, Surrey), bassist Chris Dreja (b. November 11, 1946, London), drummer Jim McCarty (b. July 25, 1943, Liverpool, Merseyside), bassist Paul Samwell-Smith (b.

    May 8, 1943, London), and guitarist Anthony (“Top”) Topham (b., England). Later members were (b. June 24, 1944, Wallington, Surrey) and Jimmy Page (b. January 9, 1944, Heston, Middlesex).

    The Yardbirds on the television program Ready Steady Go! Michael Ochs Archives/Getty ImagesThe Yardbirds, who produced three of most influential rock guitarists, followed in the footsteps of the on the in 1963–64, their early consisting almost exclusively of cover versions of songs by artists who recorded for the and record labels. With as lead guitarist, the created the “rave-up,” accelerating their playing until it transformed into. Employing distortion and reverb (a succession of echoes that blend into one another to create sonic space), Clapton’s successor, pushed later hits like “Shapes of Things” (1966) into the realm of., later the leader of one of the most successful heavy metal–hard rock groups of the 1970s, initially joined the Yardbirds as a replacement for bassist Samwell-Smith.

    \'Yardbirds

    Switching to, Page joined Beck as the band’s colead guitarist—though the two played together on only one single, the visionary “Happenings Ten Years Time Ago” (1966), before the band’s short-lived final lineup dissolved in 1968. The Yardbirds were inducted into the in 1992.

    ...'>Yardbirds Having A Rave Up Back(27.03.2020)